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FEATURE SUMMARY
Analogue/Digital: Digital
Frame Sizes: 64 96
Stereo Channels: variable
Digital I/O: Yes
FX Processors: 8
Fixed Send (Group) Buses: 32
EQ Bands: 4
Variable Send (Aux) Buses: 32
Returns: 0
Direct Outputs: Yes
Matrix Buses: 16
Main Bus Out: LRC

RECOMMENDATIONS
Broadcasting
Houses of Worship
Music Venues
Musicians & Bands
Recording & Mixing
Theatres
Touring & Corporate

Soundcraft Vi6





Now firmly established on riders and in performance venues around the world, the Soundcraft Vi6 has been acclaimed as one of the most ergonomic, user-friendly and best-sounding large format digital console around. Audio quality is assured thanks to the integration of a proven DSP engine and algorithms from sister company STUDER, who's digital broadcast consoles like Vista and On-Air 3000 are highly respected in national, state and independent broadcast studios and OB trucks throughout the world.

Ergonomically, the Vi6 offers a wonderfully inviting user experience, thanks to the patented Vistonics II 'knobs-on-glass' channel strip interface. As another innovation from STUDER, Vistonics provides an incredibly tactile 'where you look is where you control' operating philosophy which combines the speed of access and visibility of controls of an analogue desk with the power of icon-based graphics and fully recallable settings that can only come from a digital console. The provision of 32 input faders plus a 12-fader master section makes changing layers much less frequent, enhancing the speed of operation, and world-class effects and processing from Lexicon and BSS completes the picture.

The Vi6 offers connectivity to almost every type of digital audio format out there, via integration of Studer's D21m modular IO system, and comes complete with a modular remote Stagebox with a choice of either optical or copper connection to the main console.

To learn more about the Soundcraft Vi6, check out our 'Operational Overview' video.


Audio Channels


  • Max number of simultaneous mixing channels
    96 mono inputs into 35 Outputs. Pairs of mono inputs can be linked to create stereo channels.
  • Insert points
    24 insert send/return pairs can be configured (using available I/O) and assigned to any of the 96 inputs or 35 output channels.
  • Direct Outputs
    All 96 input channels can have direct outputs in addition to their internal bus routing, assuming sufficient I/O is available (eg optical MADI card).
  • Busses
    32 Grp/Aux/Matrix, plus main LCR Mix and LR Solo busses (maximum of 16 matrix outputs can be configured).

Connectivity

  • Connection from local rack to stagebox: Standard fit: Cat5 or Cat7 cable, with Amphenol RJF connectors. Optional: Fibre Optical interface card (additional cost).
  • Max distance, local rack to stagebox: 100m using Soundcraft-approved flexible reel-mounted Cat5 cable, 130m using Cat7 permanent installation cable.
  • GPIO facility: There are 16 GPIO contact closure inputs and outputs on the local rack, and 8 inputs and outputs on the stagebox.
  • MIDI: There is 1 MIDI In and 2 MIDI Outs on the rear of the control surface.

Offline Editor - Virtual Vi


To compliment the Soundcraft Vi6, an offline editor (Virtual Vi) is available. For more information on the Virtual Vi, click here.


Miscellaneous


Controls for Mute Group (x 4) and VCA Group (x 16) assignment. Controls for assignment of Vistonics rows to bus sends (when channel parameters are not selected to Vistonics). Snapshot automation controls. Talkback controls. Controls for Monitor Output level, phones level and Solo Trim and blend level.





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