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FEATURE SUMMARY
Analogue/Digital: Analogue
Frame Sizes: 8 12 20
Stereo Channels: 2
Digital I/O: No
FX Processors: 1
Groups: 2
EQ Bands: 3
Aux Sends: 3
Returns: 3
Direct Outputs: No
Matrix Outputs: 0

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Soundcraft MFXi



Mono Input Module



Mic Input

A gold-plated balanced female XLR connector accepts balanced or unbalanced mic signals. At -127dbu EIN the mic amp is extremely quiet and transparent with excellent overload characteristics.


Line Input

A balanced 1/4" jack for connecting balanced or unbalanced electronic instruments, such as keyboards.


Insert


Used for patching in compressors or additional EQ or for other signal processors. It can also be used for recording to multi-track recorders if necessary.


Gain


A rotary gain control on each input alters the gain of the input signal, from +5 to +60dB (Line Inputs have -15dB attenuation). Linear circuitry within the preamp delivers smooth gain control over the entire gain range.


EQ Section

Equalisation is split into three bands. The shelving HF control provides 15dB of cut or boost (gain adjustment) for frequencies above 12kHz. A swept mid frequency control enables frequencies from 150Hz to 3.5kHz to be adjusted with up to 15dB of cut or boost at the selected frequency. Signals below 80Hz can be adjusted with the LF control, which features ±15dB of gain adjustment (cut or boost).


Auxiliary Section


Two (MFXi) or three (MPMi) Aux sends for sending separate monitor mixes in live applications, or for use with external effects. In the Master Section, each Aux bus has its own master level control and AFL. Aux 1 is fixed pre-fade, Aux 2 is switchable pre or post-fade, and Aux 3 (FX on MFXi) is set post-fade.


FX Send

For sending signal to the internal 24-bit Lexicon effects.


Pan, Muting, PFL and Routing


The Pan control positions each channel’s signal across the stereo image, with an illuminated Mute switch to cut the signal completely. A PFL button solos the signal for monitoring. The mono channels can be routed to either the main Mix outputs or the Sub Groups via the Mix/Grp switch.


Faders and Metering

Each mono channel features a smooth 60mm fader, along with Signal Present and Peak level indicator LEDs, which are located just above the fader for easy viewing of signal status.


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